Marta Brandão + Mimahousing-Granary House in Arouca
포르투갈 아루카에 위치한 이 주택은 사랑의 노동이었으며 절대적으로 특별하고 독특한 프로젝트를 실현할 수 있는 두문 기회의 결과였다. 기회는 두 가지 요소의 조합에서 발생했다.
전통적인 곡창의 사전적 존재와 강이 내려다보이는 호화로운 녹색지형의 지리적, 자연적 맥락이다. 주택의 지붕은 지역의 폐허에서 추출한 오래된 슬레이트를 재사용하여 만든 이 지역의 전형적인 슬레이트 지붕이다. 그런 다음 볼륨의 날씬함과 슬레이, 짙은 목재, 북쪽으로 땅을 깎아 생긴 절벽과 대조 된다. 섬세하고 짙은 ㅅ핵의 목재 판금으로 된 파사드 클래딩과 무엇보다도 남쪽으로 슬라이딩 목재 셔터로 세분화되어 파사드를 살아 있고 변화하는 요소로 변형시킨다.
Imagine falling asleep to the sound of a rushing river and waking up with the chirping of birds and sights of an opulent green landscape. The architecture could become secondary, had it not been so thoroughly designed.
Located in Arouca, Portugal, the Granary House - available for short rentals at www.rustic-complex.com - was a labor of love and was the result of a rare opportunity to realize an absolutely special and unique project.
The opportunity arose from the combination of two factors: the pre-existence of a granary (a traditional building of the region with slender proportions and a high potential for reinterpretation) and the geographical/natural context: a sumptuous green terrain overlooking a river, which becomes the perfect setting to host and enhance a unique
architectural object.
Drawing inspiration from exceptional houses designed by masters such as Peter Zumthor, Studio Mumbai, Herzog&de Meuron, or Vincent van Duysen, the Granary House aimed to achieve the fundamental characteristics that define the quality of these reference projects: the poetry and coherence of the design on all fronts.
The process started with the definition of a concept, a language. This was followed by the composition of the palette of materials and colors that would articulate the whole architecture, exterior, and interior. Thus, from the design of the house in its exterior envelope and surroundings to the interiors, the finishings, the choice of furniture, textiles and the smallest objects, this respect for the pre-established visual lexicon to create a coherent whole became a fundamental premise.
The house's strengths are evident. The protagonist is the slate roof, typical of the region, made with the reuse of aged slate extracted from local ruins. Only in this place would it make sense to build such a roof. Then, the slenderness of the volume and the slatted dark wood - a simultaneously minimalist and rustic reinterpretation of the traditional granary - in contrast to the cliff resulting from the cut of the land to the north. The facade cladding in a delicate darkened wood slat, and above all its subdivision into sliding wooden shutters to the south, transform the facade into a living and changing element. The house can sometimes have the austerity of a monolith, sometimes a changing face of a dynamic nature, enhancing different experiences inside. From the outside, whatever the positioning of the shutters, the composition is balanced and interesting.
Inside, the house invites you to linger. The abundance of natural wood and its permanent dialogue with the mineral beige-earth of the micro cement (reminiscent of the color of the stone in the back) create an atmosphere of warmth and coziness that intensifies when the fireplace is on. Black metal details add a crispy touch of sophistication. The meticulously designed spiral staircase becomes a sculptural element in the living room. On the upper floor, the sloping ceiling of the master bedroom, with its wooden structure and generous ceiling height, conveys grandeur. Throughout the
bedroom runs a narrow balcony that culminates in the outdoor terrace where there are sofas integrated into the structure and a small swimming pool elevated over the fraga.
The sumptuous green panorama becomes the perfect backdrop for contemplation, while the sun peeks through the wooden slats, generating poetic games of light throughout te house, favoring a permanent dialogue between the outside and the inside. The house punctuates the landscape and generates a new landscape. The result of this symbiosis is the perfect refuge from the hustle and bustle of daily life, where you can enjoy nature in full built comfort and pure visual delight.
Photography by José Campos
from archdaily
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