ARQBR Arquitetura e Urbanismo-Sagrada Familia Parish
이 프로젝트의 건축 개념은 영성, 자연 및 공동체의 관계에서 자체적으로 전개된다. 건축은 빛이 섬세하게 침투하거나 석재의 침묵이 기도의 중얼거림에서 자신을 드러내는 곳에서 그것을 점유하는 사람에 의해 신성한 것이 현현되는 특권적 공간이었다. 원형 본당은 회중에게 제단에 가까워지기 때문에 환영의 몸짓을 개념으로 가져온다.
자연광은 지붕 원형 링을 통해 침투하여 대지의 자연 높이보다 절반 수준으로 배치된 본당의 내부 공간을 변형시킵니다. 이것은 내부 공간의 친밀함을 유지하는 동시에 1층에 정렬된 작은 개구부를 통해 풍경의 범람을 허용합니다. 이러한 특징은 지형에 심어진 구조적 기초에 속하는 6개의 기둥에 의해 매달린 원형 콘크리트 볼륨의 상승으로 인해 가능합니다. 수평선의 존재를 드러냄으로써 건축은 풍경의 구성 요소가 되고, 세계의 시적 차원에 대한 개방이 되며, 물질적 현실과 관객의 시선을 연결합니다.
The architectural concept adopted unfolds itself from the relationship between spirituality, nature, and community. Spirituality communicates itself in the Catholic religion through its rites, celebrations, and sacred symbols. The sacred sense stands and renovates itself through the sensitive contact of nature, which evokes the divine presence and the integration with the cosmos. Architecture, on its turn, has been the privileged space of manifestation of the sacred by the person who occupies it, where the light penetrates delicately or where the silence of the stone manifests itself in the murmur of the prayers. The circular nave brings as a concept this gesture of welcoming, as it approximates the altar to the congregation.
Natural light penetrates through the roof circular ring, transforming the internal space of the nave, which is disposed half level below the natural height of the plot. This allows the overflow of the landscape through a small opening aligned to the ground floor, at the same time that it preserves the intimacy of the internal space. Such a feature is only possible due to the elevation of the circular concrete volume, suspended by six pillars that belong to the structural foundation implanted in the topography. By revealing the presence of the horizon, the architecture becomes a constitutive element of the landscape, an opening to the poetic dimension of the world, connecting the material reality to its spectator’s gaze.
It is possible to state that the architectural concept synthesizes the three fundamental premises of Brasilia: the implantation of the architectural complex, delicately applied on the topography, and its opening to the horizon; the inseparability between the urban and its architecture, between public and private space and, as a consequence, between the community and the sacred; and thirdly, the consideration of the landscape as a structuring and fundamental element of the architectural configuration, recognized by Brasilia’s inclusion on UNESCO’s List of World Heritage Sites.
Photography by Joana França
from archdaily